'Her Landscape'

'Her landscape' shows a series of works developed by asking:

 

why can we not see women in traditional Korean landscape paintings? 

The artist borrowed the traditional styles of East Asian landscape paintings but changed the gender of figures inside, manifesting that the history we know does not fully represent the narrative, memories, desires of women. Rather than portraying the ideal old utopia that traditional landscapes represented, she depicts the landscape that alludes artist's intimate and private domain. By looking at the figure in the landscape, Cho's series asks who has been the subject that experiences, creates, and possess that landscape. 

She (left corner), Oil on linen, 18 x 24 5cm, 2018

She (left), Oil on linen, 13 x 18 cm, 2018

Her Journey (right), Oil on linen, 39.5 x 30cm, 2018

The Old Love Story

Oil on canvas, 101.5 x 304 cm and 30.4 cm in diameter, 2018

'The Old Love Story' was inspired by the old unicorn tapestry in Stirling Castle, which was made to celebrate the marriage of James V, the King of Scotland and Marie de Guise.

2018_My Wretched Love Trapped in the Empty Mountain_detail, Oil on Canvas, 120 x 60 x 2 cm
2018_A Woman who Became a Plum Blossom Tree, Oil on canvas, 51 x 61.3 cm_Online.jpg

My Wretched Love Trapped in the Empty Mountain, Oil on Canvas, 120 x 60 cm, 2018

A Woman who Became a Plum Blossom Tree, Oil on canvas, 51 x 61.3 cm, 2018