top of page

Her Landscape

​그녀의 산수

(2017 - 2018)

​​​​Why can we not see women in traditional Korean landscape paintings? 
​​​

<Her Landscape> borrows traditional styles of East Asian landscape paintings (Sansu hwa) but changes the gender of the figures inside, denoting the fact the established East Asian art history has not represented the narrative, memories, and desires of women. Through the figure in the landscape, this series asks who has been the subject that experiences, creates, and possesses a landscape. 
​​​

왜 우리는 전통적인 한국 산수화에서 여성을 볼 수 없을까?
​​​

<그녀의 산수>는 동아시아 산수화의 전통적인 스타일을 차용하되 그 안에 있는 인물의 성별을 바꾸어, 기존에 확립된 동아시아 미술사가 여성의 서사, 기억, 욕망을 표현하지 않았다는 사실을 드러낸다. 이 연작들은 산수화 속 인물을 통하여, 산수를 경험하고, 창조하고, 소유한 주체가 누구인지 묻는다.

Conversation in a Cave, Oil on canvas, 76 × 76 × 3 cm, 2017

Viewing Plum Blossoms by Moonlight, Oil on canvas, 76 × 76 × 3 cm, 2018

Her Journey, Oil on silk, 25.5 × 20.5 cm, 2018

She (left corner), Oil on linen, 18 × 24 5cm, 2018

She (left), Oil on linen, 13 × 18 cm, 2018

Her Journey (right), Oil on linen, 39.5 × 30cm, 2018

Her Journey, Oil on canvas, 30.48 cm in diameter, 2018

The Old Love Story

Oil on canvas, 101.5 × 304 cm and 30.4 cm in diameter, 2018

2018_My Wretched Love Trapped in the Empty Mountain_detail, Oil on Canvas, 120 x 60 x 2 cm
2018_A Woman who Became a Plum Blossom Tree, Oil on canvas, 51 x 61.3 cm_Online.jpg

My Wretched Love Trapped in the Empty Mountain, Oil on canvas, 120 × 60 cm, 2018

A Woman who Became a Plum Blossom Tree, Oil on canvas, 51 × 61.3 cm, 2018

bottom of page