Her Landscape
(2018 - 2019)
Open Code (2019) at Cheongju Creative Art Studio, Cheongju
Postgraduate Degree Show (2018) at Glasgow School of Art, Glasgow
Why can we not see women in traditional Korean landscape paintings?
<Her Landscape> borrows traditional styles of East Asian landscape paintings (Sansu hwa 산수화) but changes the gender of the figures inside, denoting the fact that established East Asian art history has not represented the narrative, memories, and desires of women. Through the figure in the landscape, this series asks who has been the subject that experiences, creates, and possesses a landscape.
Her Landscape at Glasgow School of Art (2018)
Conversation in a Cave, Oil on canvas, 76 × 76 × 3 cm, 2017
Viewing Plum Blossoms by Moonlight, Oil on canvas, 76 × 76 × 3 cm, 2018
Her Journey (Series), Oil on silk, Size Variable, 2018
Her Journey, Oil on silk, 25.5 × 20.5 cm, 2018
She, Oil on linen, 18 × 24.5 cm, 2018
She, Oil on linen, 13 × 18 cm, 2018
Her Journey, Oil on linen, 39.5 × 30cm, 2018
Her Journey, Oil on canvas, 30.48 cm in diameter, 2018
The Old Love Story
Oil on canvas, 101.5 × 304 cm and 30.4 cm in diameter, 2018
My Wretched Love Trapped in the Empty Mountain, Oil on canvas, 120 × 60 cm, 2018
A Woman who Became a Plum Blossom Tree, Oil on canvas, 51 × 61.3 cm, 2018